Welcome to the clinic! This 524th episode of ALL4ONE is a carefully measured prescription: new releases to wake you up, classics to soothe you, and a little shot of nostalgia right where it's needed. The Doctor has put on the white coat and the stethoscope, and he's decided to treat your weekend with a magic potion made of guitars, voices, and memories.

The treatment begins with the best of what's happening today. Eddie 9V opens the proceedings with "Satisfy The Way I Do," a raw, feverish blues produced by Dan Auerbach of The Black Keys, from his album Down Here, due November 6. Texas takes over with "Any Other Way to Cry," a single celebrating the 30th anniversary of White on Blonde and proving that Sharleen Spiteri hasn't lost any of her brilliance. Josh Rouse brings a breath of fresh air with "Spring," the sunny opener of his sixteenth album Museums and Women. And John Mayer closes this opening stretch with "Tom and Jerry," his first solo single in five years, released on his own label Sob Rock Records. A return to business for the guitarist, who is also preparing a residency at the Sphere in Las Vegas.

Lake Street Dive follows with "What About Flamingos?", the title track from their ninth album, due February 19, 2027, on their own label Dive Not Drive Records. A song of deliberate, almost hypnotic slowness that sets a contemplative mood and proves, if proof were needed, that the band has no equal when it comes to making melancholy swing. Then begins the tribute to Neil Young, with LP covering "Harvest Moon" with a delicacy bordering on the sublime, on Volume 2 of the tribute album Heart of Gold. My Morning Jacket & Preservation Hall Jazz Band turn "Like a Hurricane" into a brass-driven storm, an unlikely meeting between Kentucky rock and New Orleans jazz. Los Lobos take on "Cinnamon Girl" with their unique touch, somewhere between rock and Mexican influences. Then comes the master himself, Neil Young, with "The Foggy Edge of Time," the opening track from his 50th studio album Second Song, released September 18, 2026, a lucid meditation on the passing of time.

The moment of grace arrives with Linda Ronstadt, Dolly Parton & Emmylou Harris on "After the Gold Rush." Three voices blending to perfection, for a version of breathtaking beauty. The track comes from Trio II (1999), the second chapter of their legendary collaboration. Mark Knopfler & Emmylou Harris follow with three tracks from their joint album All the Roadrunning (2006) — "Love and Happiness," "This Is Us," "Beachcombing." Knopfler's guitar, of rare elegance, and Emmylou's voice, of absolute purity. A duo of discreet masters.

The time travel continues with Mudcrutch, opening with "I Forgive It All" — the band that came before the Heartbreakers, reunited in 2016, for a suspended moment. Tom Petty and the Heartbreakers follow with "Breakdown," their first single from 1976, then "Parade of Loons," the collector's holy grail: recorded in 1978 and left in the vaults for nearly 50 years, finally unveiled on the Origins 1971-1978 box set. Stevie Wonder takes over with the three tracks that open Songs in the Key of Life, an eternal masterpiece — "Love's in Need of Love Today," "Pastime Paradise," "Village Ghetto Land" — still as overwhelming 50 years later. The same year, The Beach Boys covered "In the Still of the Night" on the album 15 Big Ones (1976), before handing over to the Diner Party jingle that launches the time machine back to 1966.

The Beach Boys open that temporal window with "Sloop John B," Brian Wilson's masterpiece. The Beatles follow with "Got to Get You Into My Life" in an unreleased alternate mix, McCartney's tribute to Motown. The Kinks with "Sunny Afternoon," Ray Davies at the height of his art. The Mamas & The Papas with "Monday, Monday," their only number one. And The Lovin' Spoonful close the march with "You Didn't Have To Be So Nice," a little pop-folk marvel.

The final stretch is more contemplative. Jim Croce with "Time in a Bottle," written for his son and released as a single after his tragic death in 1973. Elliott Murphy with "Last of the Rock Stars," a cult classic from his debut album Aquashow. Bob Dylan with "Lily of the West," a traditional cover from the album Dylan (1973). The Band with "Acadian Driftwood," Robbie Robertson's epic of the Acadian exile, of cinematic scope. And to finish, The Alan Parsons Project with "The Raven," a groundbreaking 1976 track, famous for its use of the EMI vocoder on the lead vocal. On the 2007 deluxe edition, you'll find the original demo and the Orson Welles radio spot, recorded for the album's American promotional campaign.

There you have it — the treatment is complete. Loyal listeners, and those discovering the show through the replay available on all the best platforms, will feel the beneficial effects of this musical potion: a smile on their face, a burning urge to dig out their vinyl, and perhaps even a small tear in the corner of their eye as they remember what certain tracks evoke for them. That's the magic of ALL4ONE.

Take care of yourselves. And the ones you love. See you next weekend, God willing.

You'll find the full prescription at ksun66.com.